DOLLY is represented twice in the room: as a camera sculpture and in the video projection opposite (immobile in a field). The cameras are facing each other. Entering the dark room the visitor is confronted with an enlarged video camera (sculpture), which can simultaneously be seen from a different perspective in the landscape (video projection). Passing through the room he has the option of either passing behind the camera – as a cameraman – or in front, thus juxtapositioning himself for a brief spell between the camera and its projected image. In the second version the visitor’s shadow appears for a short moment in the video.

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